Author Archives: Ninguem

Agítese antes de usar 2
Agítese antes de usar 2 Proximidad y reciprocidad en las prácticas artísticas/educativas This publication contains a set of essays and interviews that reflect on the potential of human relationships and reflects on community actions and pedagogies for liberation. Editors: Macarena

Agítese antes de usar 2
Agítese antes de usar 2 Proximidad y reciprocidad en las prácticas artísticas/educativas This publication contains a set of essays and interviews that reflect on the potential of human relationships and reflects on community actions and pedagogies for liberation. Editors: Macarena

Mirar con nuestros ojos de montaña
After a wonderful camping trip in the semi-desert, two exhibitions, deep conversations, going back and forth in search of waste paper, a diecut and several hours at the printing press, Mirar con nuestros ojos de montaña (Looking with our mountain

Mirar con nuestros ojos de montaña
After a wonderful camping trip in the semi-desert, two exhibitions, deep conversations, going back and forth in search of waste paper, a diecut and several hours at the printing press, Mirar con nuestros ojos de montaña (Looking with our mountain

Inhabiting the Library
Máquina de aplausos & Biblioteca Revelaciones invited 14 women artists, booksellers, writers and curators to think about their books and libraries. This book/archive is the result of these collaborations and “explores the place of the book and knowledge in our

Inhabiting the Library
Máquina de aplausos & Biblioteca Revelaciones invited 14 women artists, booksellers, writers and curators to think about their books and libraries. This book/archive is the result of these collaborations and “explores the place of the book and knowledge in our

Mapas para las prácticas narrativas
The edition consists of 10 maps to work narrative therapy. Edited by Colectivo de Prácticas Narrativas, the maps show possible ways to relate to a story. These maps are a tool. Designed in colaboration with Diego Mier y Terán Proyectos

Mapas para las prácticas narrativas
The edition consists of 10 maps to work narrative therapy. Edited by Colectivo de Prácticas Narrativas, the maps show possible ways to relate to a story. These maps are a tool. Designed in colaboration with Diego Mier y Terán Proyectos

Cinema Fauna
Identity and applications for Cinema Fauna, a community cinema for the conservation of the landscapes of central Mexico. Diseñado at Proyectos Ninguém by Maru Calva & Galia Basail. Valle de Bravo, Mexico 2021-2022

Cinema Fauna
Identity and applications for Cinema Fauna, a community cinema for the conservation of the landscapes of central Mexico. Diseñado at Proyectos Ninguém by Maru Calva & Galia Basail. Valle de Bravo, Mexico 2021-2022

Estudio sobre el tiempo libre
Book design for artist Diego Pérez. The narrative and edition of the book refers to the artist’s own work; with infinite reading possibilities. Diego’s work unfolds and allows encounters between pieces from different contexts and times. Mexico RGR Gallery, 2020

Estudio sobre el tiempo libre
Book design for artist Diego Pérez. The narrative and edition of the book refers to the artist’s own work; with infinite reading possibilities. Diego’s work unfolds and allows encounters between pieces from different contexts and times. Mexico RGR Gallery, 2020

Estudio Ome – web
Web design for Estudio Ome. Mexico 2020

Estudio Ome – web
Web design for Estudio Ome. Mexico 2020

Visual Education Practices
Visual Education Practices is a bilingual edition by Sandra Valenzuela and David Miranda, inspired by the teachings of Matías Goeritz and the Taller Nómada. The publication can be read in full in Spanish, and by inverting the pages, it can

Visual Education Practices
Visual Education Practices is a bilingual edition by Sandra Valenzuela and David Miranda, inspired by the teachings of Matías Goeritz and the Taller Nómada. The publication can be read in full in Spanish, and by inverting the pages, it can

Félix Tissot
This book was published on the occasion of the exhibition The Eternal and the Modern. Felix Tissot at Franz Mayer Museum in Mexico. It features the life and work of Félix Tissot, a French ceramist who lived in Taxco since

Félix Tissot
This book was published on the occasion of the exhibition The Eternal and the Modern. Felix Tissot at Franz Mayer Museum in Mexico. It features the life and work of Félix Tissot, a French ceramist who lived in Taxco since

México a color
Identity and graphics for the exhibition “Centro Histórico, corazón de México” held at MODO, Museo del Objeto del Objeto, in Mexico City. Designed at Proyectos ninguém by Polly Beauregard, Maru Calva, Carlo Canún and María Marín de Buen.Design Assistant: Sandra

México a color
Identity and graphics for the exhibition “Centro Histórico, corazón de México” held at MODO, Museo del Objeto del Objeto, in Mexico City. Designed at Proyectos ninguém by Polly Beauregard, Maru Calva, Carlo Canún and María Marín de Buen.Design Assistant: Sandra

Reactiva Architecture
Type design and identity for Reactiva arquitectura. Designed at Proyectos ninguém with Polly Beauregard, Carlo Canún and María Marín de Buen. Mexico City2020

Reactiva Architecture
Type design and identity for Reactiva arquitectura. Designed at Proyectos ninguém with Polly Beauregard, Carlo Canún and María Marín de Buen. Mexico City2020

Cátedra blanca 2019-2020
Graphic identity and publication design for the course Cátedra CEMEX / Bovis of the Arquitecture Faculty of the Universidad Iberoamericana. Designed at Proyectos ninguém by Maru Calva and María Marín de Buen. Formatting: Polly Beauregard and Carlo Canún. Mexico City2020

Cátedra blanca 2019-2020
Graphic identity and publication design for the course Cátedra CEMEX / Bovis of the Arquitecture Faculty of the Universidad Iberoamericana. Designed at Proyectos ninguém by Maru Calva and María Marín de Buen. Formatting: Polly Beauregard and Carlo Canún. Mexico City2020

Lorenza Capdevielle Van-Dyck
The book contains the life and watercolor work by Architect Lorenza Capdevielle Van-Dyck. The book structure works as a manual for architecture students who wish to learn about drawing in architecture.Designed at Proyectos ninguém by Maru Calva, María Marín de Buen

Lorenza Capdevielle Van-Dyck
The book contains the life and watercolor work by Architect Lorenza Capdevielle Van-Dyck. The book structure works as a manual for architecture students who wish to learn about drawing in architecture.Designed at Proyectos ninguém by Maru Calva, María Marín de Buen

Estudio Ome, Architecture and Landscape
Identity and web design for Estudio Ome, architecture and landscape design studio. Designed at Proyectos ninguém by Maru Calva and Carlo Canún. México City2020

Estudio Ome, Architecture and Landscape
Identity and web design for Estudio Ome, architecture and landscape design studio. Designed at Proyectos ninguém by Maru Calva and Carlo Canún. México City2020

Leonora, horno de fuego eterno
Identity and graphics for Leonora, horno de fuego eterno. Coffee, bread, and bookstore. Designed at Proyectos ninguém by Polly Beauregard, Maru Calva, Carlo Canún and María Marín de Buen. Puebla, Mexico2020 Drawings: Daniela Salmón

Leonora, horno de fuego eterno
Identity and graphics for Leonora, horno de fuego eterno. Coffee, bread, and bookstore. Designed at Proyectos ninguém by Polly Beauregard, Maru Calva, Carlo Canún and María Marín de Buen. Puebla, Mexico2020 Drawings: Daniela Salmón

Felix Tissot. Eternal and modern
Identity and graphics for the exhibition that presents for the first time in a museum, the work of ceramist and designer Félix Tissot. Curated by Ana Elena Mallet for Franz Mayer Museum, the identity of this exhibition reflects the characteristic features

Felix Tissot. Eternal and modern
Identity and graphics for the exhibition that presents for the first time in a museum, the work of ceramist and designer Félix Tissot. Curated by Ana Elena Mallet for Franz Mayer Museum, the identity of this exhibition reflects the characteristic features

Tomando Ácido en Reino aventura
A critical review and tribute to the Mexican band Fobia, that José Ángel Balmori writes about the first 4 albums. The book consists of 4 booklets with the reviews and 4 posters that reinterpret the original album covers. Developed in

Tomando Ácido en Reino aventura
A critical review and tribute to the Mexican band Fobia, that José Ángel Balmori writes about the first 4 albums. The book consists of 4 booklets with the reviews and 4 posters that reinterpret the original album covers. Developed in

Universidad Iberoamericana. Generator of Knowledge: A Kaleidoscope
Book that gathers testimonies of academics from different departments of the Universidad Iberoamericana which have done a substantive research in the Santa Fe Campus. It contains a section with photographs of its construction.Designed at Proyectos ninguém by Maru Calva, Carlo

Universidad Iberoamericana. Generator of Knowledge: A Kaleidoscope
Book that gathers testimonies of academics from different departments of the Universidad Iberoamericana which have done a substantive research in the Santa Fe Campus. It contains a section with photographs of its construction.Designed at Proyectos ninguém by Maru Calva, Carlo

MetLife
Catalogue of photographies by Jaime Navarro showing Filippo Soave’s interior design for MetLife Mexico City Tower. The book is organized by four different types of workplaces and the book design represents the different scales, from the overall to the most

MetLife
Catalogue of photographies by Jaime Navarro showing Filippo Soave’s interior design for MetLife Mexico City Tower. The book is organized by four different types of workplaces and the book design represents the different scales, from the overall to the most

El Tepozán
Signage for El Tepozán, Art Village; a rural school of arts and crafts in Jilotepec, State of Mexico.The graphics for the classrooms and public spaces take into consideration the architecture and context of the project, also thinking about its pedagogical

El Tepozán
Signage for El Tepozán, Art Village; a rural school of arts and crafts in Jilotepec, State of Mexico.The graphics for the classrooms and public spaces take into consideration the architecture and context of the project, also thinking about its pedagogical