Facing What is Hidden
“De frente a lo que se oculta” (Facing What Is Hidden) is a book that compiles visits to 32 artist studios in Mexico. It is an intimate publication that shows working processes and offers an overview of contemporary art in
Facing What is Hidden
“De frente a lo que se oculta” (Facing What Is Hidden) is a book that compiles visits to 32 artist studios in Mexico. It is an intimate publication that shows working processes and offers an overview of contemporary art in
America
América brings together diverse and intuitive forms of writing by twelve visual artists—with roots in the Global South—who champion a literature infused with cosmic visions, fantastic tales, hybrid chronicles, prayers, apocalyptic ravings, dreams, and manifestos. Featuring writings by Luis Enrique
America
América brings together diverse and intuitive forms of writing by twelve visual artists—with roots in the Global South—who champion a literature infused with cosmic visions, fantastic tales, hybrid chronicles, prayers, apocalyptic ravings, dreams, and manifestos. Featuring writings by Luis Enrique
Luzia – Cirque du Soleil
Design of papel picado for the set of Luzia by Cirque du Soleil. Adaptation of the work of the artist Javier Martínez Pedro. Original idea and art direction: Eugenio Caballero 2015
Luzia – Cirque du Soleil
Design of papel picado for the set of Luzia by Cirque du Soleil. Adaptation of the work of the artist Javier Martínez Pedro. Original idea and art direction: Eugenio Caballero 2015
Diplomado en Prácticas Narrativas, 2026
Identity and applications for Diplomado in Narrative Practices, 2026. Design: Proyectos Ninguém Colectivo de Prácticas Narrativas 2026
Diplomado en Prácticas Narrativas, 2026
Identity and applications for Diplomado in Narrative Practices, 2026. Design: Proyectos Ninguém Colectivo de Prácticas Narrativas 2026
ECSUJ – Ibero 2025
Graphic design for ECSUJ 2025 at Ibero University, Mexico City. Museography: TDM Photo: Nattan Guzmán 2025
ECSUJ – Ibero 2025
Graphic design for ECSUJ 2025 at Ibero University, Mexico City. Museography: TDM Photo: Nattan Guzmán 2025
Agítese antes de usar 2
Agítese antes de usar 2 Proximidad y reciprocidad en las prácticas artísticas/educativas This publication contains a set of essays and interviews that reflect on the potential of human relationships and reflects on community actions and pedagogies for liberation. Editors: Macarena
Agítese antes de usar 2
Agítese antes de usar 2 Proximidad y reciprocidad en las prácticas artísticas/educativas This publication contains a set of essays and interviews that reflect on the potential of human relationships and reflects on community actions and pedagogies for liberation. Editors: Macarena
Mirar con nuestros ojos de montaña
After a wonderful camping trip in the semi-desert, two exhibitions, deep conversations, going back and forth in search of waste paper, a diecut and several hours at the printing press, Mirar con nuestros ojos de montaña (Looking with our mountain
Mirar con nuestros ojos de montaña
After a wonderful camping trip in the semi-desert, two exhibitions, deep conversations, going back and forth in search of waste paper, a diecut and several hours at the printing press, Mirar con nuestros ojos de montaña (Looking with our mountain
Until the Songs Spring – 59th Venice Biennale
Hasta que los cantos broten / Until the Songs Spring is a reader that accompanies the exhibition curated by Catalina Lozano and Mauricio Marcin for the Mexican Pavilion at the 59th Venice Biennale. The design was made together with Stoodio
Until the Songs Spring – 59th Venice Biennale
Hasta que los cantos broten / Until the Songs Spring is a reader that accompanies the exhibition curated by Catalina Lozano and Mauricio Marcin for the Mexican Pavilion at the 59th Venice Biennale. The design was made together with Stoodio
Inhabiting the Library
Máquina de aplausos & Biblioteca Revelaciones invited 14 women artists, booksellers, writers and curators to think about their books and libraries. This book/archive is the result of these collaborations and “explores the place of the book and knowledge in our
Inhabiting the Library
Máquina de aplausos & Biblioteca Revelaciones invited 14 women artists, booksellers, writers and curators to think about their books and libraries. This book/archive is the result of these collaborations and “explores the place of the book and knowledge in our
Mapas para las prácticas narrativas
The edition consists of 10 maps to work narrative therapy. Edited by Colectivo de Prácticas Narrativas, the maps show possible ways to relate to a story. These maps are a tool. Designed in colaboration with Diego Mier y Terán Proyectos
Mapas para las prácticas narrativas
The edition consists of 10 maps to work narrative therapy. Edited by Colectivo de Prácticas Narrativas, the maps show possible ways to relate to a story. These maps are a tool. Designed in colaboration with Diego Mier y Terán Proyectos
Mil hilos. Manifiesto en contra de las imposiciones tediosas – Guillermo Santamarina
Book design for Mil hilos. Manifiesto en contra de las imposiciones tediosas de Guillermo Santamarina. Edited by Maco Sánchez at Alias Editorial, this book presents a road trip along the memories of Guillermo Santamarina, pioneer of curatorial practice in Mexico;
Mil hilos. Manifiesto en contra de las imposiciones tediosas – Guillermo Santamarina
Book design for Mil hilos. Manifiesto en contra de las imposiciones tediosas de Guillermo Santamarina. Edited by Maco Sánchez at Alias Editorial, this book presents a road trip along the memories of Guillermo Santamarina, pioneer of curatorial practice in Mexico;
Cinema Fauna
Identity and applications for Cinema Fauna, a community cinema for the conservation of the landscapes of central Mexico. Diseñado at Proyectos Ninguém by Maru Calva & Galia Basail. Valle de Bravo, Mexico 2021-2022
Cinema Fauna
Identity and applications for Cinema Fauna, a community cinema for the conservation of the landscapes of central Mexico. Diseñado at Proyectos Ninguém by Maru Calva & Galia Basail. Valle de Bravo, Mexico 2021-2022
Diplomado en Prácticas Narrativas, 2020
Identity and applications for Diplomado in Narrative Practices, 2020. Design: Proyectos Ninguém with Carlo Canún Colectivo de Prácticas Narrativas 2020
Diplomado en Prácticas Narrativas, 2020
Identity and applications for Diplomado in Narrative Practices, 2020. Design: Proyectos Ninguém with Carlo Canún Colectivo de Prácticas Narrativas 2020
Estudio sobre el tiempo libre
Book design for artist Diego Pérez. The narrative and edition of the book refers to the artist’s own work; with infinite reading possibilities. Diego’s work unfolds and allows encounters between pieces from different contexts and times. Mexico RGR Gallery, 2020
Estudio sobre el tiempo libre
Book design for artist Diego Pérez. The narrative and edition of the book refers to the artist’s own work; with infinite reading possibilities. Diego’s work unfolds and allows encounters between pieces from different contexts and times. Mexico RGR Gallery, 2020
Estudio Ome – web
Web design for Estudio Ome. Mexico 2020
Estudio Ome – web
Web design for Estudio Ome. Mexico 2020
Visual Education Practices
Visual Education Practices is a bilingual edition by Sandra Valenzuela and David Miranda, inspired by the teachings of Matías Goeritz and the Taller Nómada. The publication can be read in full in Spanish, and by inverting the pages, it can
Visual Education Practices
Visual Education Practices is a bilingual edition by Sandra Valenzuela and David Miranda, inspired by the teachings of Matías Goeritz and the Taller Nómada. The publication can be read in full in Spanish, and by inverting the pages, it can
Félix Tissot
This book was published on the occasion of the exhibition The Eternal and the Modern. Felix Tissot at Franz Mayer Museum in Mexico. It features the life and work of Félix Tissot, a French ceramist who lived in Taxco since
Félix Tissot
This book was published on the occasion of the exhibition The Eternal and the Modern. Felix Tissot at Franz Mayer Museum in Mexico. It features the life and work of Félix Tissot, a French ceramist who lived in Taxco since
México a color
Identity and graphics for the exhibition “Centro Histórico, corazón de México” held at MODO, Museo del Objeto del Objeto, in Mexico City. Designed at Proyectos ninguém by Polly Beauregard, Maru Calva, Carlo Canún and María Marín de Buen.Design Assistant: Sandra
México a color
Identity and graphics for the exhibition “Centro Histórico, corazón de México” held at MODO, Museo del Objeto del Objeto, in Mexico City. Designed at Proyectos ninguém by Polly Beauregard, Maru Calva, Carlo Canún and María Marín de Buen.Design Assistant: Sandra
Reactiva Architecture
Type design and identity for Reactiva arquitectura. Designed at Proyectos ninguém with Polly Beauregard, Carlo Canún and María Marín de Buen. Mexico City2020
Reactiva Architecture
Type design and identity for Reactiva arquitectura. Designed at Proyectos ninguém with Polly Beauregard, Carlo Canún and María Marín de Buen. Mexico City2020
Cátedra blanca 2019-2020
Graphic identity and publication design for the course Cátedra CEMEX / Bovis of the Arquitecture Faculty of the Universidad Iberoamericana. Designed at Proyectos ninguém by Maru Calva and María Marín de Buen. Formatting: Polly Beauregard and Carlo Canún. Mexico City2020
Cátedra blanca 2019-2020
Graphic identity and publication design for the course Cátedra CEMEX / Bovis of the Arquitecture Faculty of the Universidad Iberoamericana. Designed at Proyectos ninguém by Maru Calva and María Marín de Buen. Formatting: Polly Beauregard and Carlo Canún. Mexico City2020